In Spite of Cosmic Loneliness: Exploring Literary Geographies of Folklore from Lockdown
Abstract
This short paper considers the ways in which isolation and the current lockdown situation have affected and shaped my current research project on the literary geographies of folklore.References
Arendt, H. (1970) Men in Dark Times. New York: Harcourt, Brace, and World.
Bronner, S. (2016) Folklore: The Basics. London and New York: Routledge.
Cioran, E.M. (1992) The Heights of Despair. Translated by I. Zarifopol-Johnston. Chicago: The University of Chicago Press.
Dundes, A. (1966) ‘Metafolklore and Oral Literary Criticism.’ The Monist, 50(4), pp. 505-516.
Dundes, A. (1980) Interpreting Folklore. Bloomington: Indiana University Press.
Jacobs, J. (1893) ‘The Folk.’ Folk-lore, 4(2), pp. 233-238.
Jeffrey, J. (2020) ‘Coronavirus: Will we ever shake hands again?’ BBC, 6 May 2020. [Online] [Accessed 31 August 2020] https://www.bbc.com/news/world-us-canada-52506079.
Machen, A. (1914) ‘The Bowmen.’ London Evening News, 29 September, p. 3.
Machen, A. (1925) The Shining Pyramid. London: Martin Secker.
Thurgill, J. (2018) ‘Extra-Textual Encounters: Locating Place in the Text-as-Event: An Experiential Reading of M.R. James’ ‘A Warning to the Curious’.’ Literary Geographies, 4(2), pp. 221-244.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).